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 :: PRYMARY ::

Band/Artist:
Prymary
Title:
Self Titled
Release Date:
2002
Label:
Independent

PRYMARY - SELF TITLED RELEASE

Track List:
01. Common Ground
02. Tearing Through
      Weakness
03. Seclusion
04. Promise
05. Remember
06. Tanglebox
07. Running To A Standstill
08. Roads Of Fire
:: Personnel ::
Mike DiSarro
Vocals
 

Sean Entrikin
Electric & Acoustic guitars
 

Smiley Sean
keyboards, B3
 
Chris Quirarte
Drums and percussion, backing vox
 
James Sherwood
Bass, balalaika, backing vox
 
 
 

 :: Review ::

Prymary is the eponymous debut of a new progressive metal band from LA, and I have to say, it came as a pleasant surprise. Granted, it's not flawless, by any means, but then again you don't hear that many DT fans talk about "When Day and Dream Unite" quite the same way they talk about "Scenes From A Memory".

PRYMARY BAND PIC

Lets pause on that train of thought to get the most obvious positives out of the way, namely  the first thing that grabs you is the awesome work done by Mattias Noren on all the graphics. Next, as soon as you hit play it becomes abundantly clear this is a very professional recording unlike so much of the homegrown stuff we hear these days. To my ears, the only production slip was the overall drum sound, and in particular the snare, which sounds a bit thin for heavy, powerful music, but hey, each to their own taste at the mixing console.

Getting back on track, a major drawback for these guys is that the Dream Theater comparisons are inevitable in other regards as well. Particularly the keyboards, handled quite nimbly by Smiley Sean, are so elaborately crafted after the Sherinian sound that at times it seems as if they are actually using the exact same Korg sound banks!  Mike Disarro's vocals sound like a true amalgam of James Labrie and Ted Leonard from Enchant, and the songs have structures somewhat reminiscent of Dream Theater, in a sort of Images & Words meets Falling Into Infinity kind of way. One important difference is that Prymary chose to let the bass roar loud, punchy and way up in the mix. In fact, James Sherwoods hyperkinetic basslines are delivered with the same attitude and swagger that Mike Portnoy brings to his drums, propelling more than supporting rhythmically. Of course, Chris Quirarte has carefully studied many a Portnoy fill and syncopation (plus I hear a lot of Peart in there as well), and the only player I thought had a truly distinct voice is Sean Entrikin, who is certainly no Petrucci doppelganger. He's obviously put in the hours needed to play, and shred, but he's got his own bag of licks.

Most of the lyrics are handled by Quirarte, and his themes are pretty standard for this sort of music, with a tendency towards the usual clichés, though I doubt this will be a problem for Prymary, at least judging by the sales of bands like The Flower Kings or Ayreon. Musically, I think the first 6 tracks flow well, with only a few minor compositional flubs and arrangement details that could have helped to respect the integrity of the groove, but nothing major. Its only when the band begins to delve into longer songs that they run into more serious troubles, and nowhere more so that on the obligatory epic "Roads Of Fire" they unwisely chose to close the album.

Granted, I admit I am in a minority among prog aficionados when I state that length, while certainly advantageous in certain facets of life, is not necessarily desirable in a rock song. I also agree there are a number of exceptions, and brilliant epics such as "The Gates Of Delirium", "Shine On You Crazy Diamond" and "All Of The Above" instantly spring to mind. But why not stick to your own obvious strengths, which in the case of Prymary are many, and forego the ridiculous conceit that prog albums need epic-length tunes to qualify as prog?  In my opinion, "Roads Of fire" really wears out its welcome, and about 8 minutes into it I found myself wishing they'd simply added 3 or 4 shorter tracks instead of stitching together their own half-hour Frankenstein.

So, what is the final verdict?

Perhaps some people may find my words to be a bit harsh, but I honestly believe these guys only need to have the right amount of patience and determination to hone their song-writing skills, in order to develop their own sonic personality and distance themselves from the DT formula. All the other ingredients are already there, and as soon as they get the songs just right, they could really ignite.  As it stands, this is still a very fine piece of work, and a debut the band should be very proud of.

Definitely worth checking out!  Go to their website and support these guys in their artistic endeavors!

Rating: 7 Keyboards.
Reviewer: Luis Nasser

Visit the Artist Website:
PRYMARY


 :: Discography ::
Prymary - 2002

You can purchase this CD from:
PRYMARY

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