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REVIEW : :
 Here
we have a new album from James Bryd. Released in the Summer of 2002, “Anthem” is a
deep, insightful exploration of the effects of September 11th.
James, with bandmates Michael Flatters and Brian Huchtison, deliver emotional
performances, well-matched to the serious subject matter of the lyrics.
The compositions are complex and multilayered with generous doses of blistering
guitar work, soaring keyboards and passionate vocals. The writing style on this
album blends classical influences with hard rock and metal. The use of varied
dynamics (quiet passages and loud passages) keep the songs interesting from start to
finish.
Vocalist Michael Flatters turns in a strong performance on “Anthem”. He’s adept at
using his voice to convey the emotion of the lyrics. He has a good balance of
technique and feel. I find myself trying to sing along with him—an excellent gauge
of how much I like a vocalist.
Brian Huchtison fills out James’ compositions well with his keyboard, drum and bass
work. Brian’s parts mesh well with James’ rhythm and solo guitar.
James’ playing is top-notch throughout. He is often compared to Yngwie Malmsteen and
Uli Roth. The comparison is appropriate, but I feel James has his own unique ‘voice’
on guitar. His neo-classical lead playing on Anthem is highly melodic. I also
appreciate his willingness to step back and play for the song. Instead of lead
guitar constantly dominating the music, it is integrated into the compositions. This
is the mark of a confident, mature guitarist.
I like the dramatic, symphonic feel of “Anthem”. The mix is clear and punchy. The
instruments and vocals are well recorded. The songs “All I Want” and “Killing
Machine” are especially good, both in their composition and their performance. In
fact, “Anthem” is filled is memorable hooks.
A few minor quibbles: I don’t like the reverb used on the vocals; there is too much
of it, and the reverb sound isn’t pleasant to my ears. The reverb has the effect of
distancing me emotionally from vocalist Michael Flatters’ performance.
I would like to hear James’ rhythm guitar a bit louder. He has some cool, chunky
rhythm guitar going on. James’ rhythm guitar is mixed a little lower than the
keyboard in many places on the album, and eq’d a bit thin. Turn it up, man!
My minor criticisms aside, “Anthem” is a very good album. The songs are strong; the
performances are passionate. The lyrics are heartfelt and mirror the emotions of
many after the tragedy of September 11th. Fans of neo-classical and
progressive music will love James Bryd’s “Anthem”.
8 out of 10 Keyboards.
Review by: Jeffrey Ryan Smoots
Visit the artist website: James Byrd
email - strat110@yahoo.co.uk
Record Label:
http://www.lionmusic.com/
You can purchase this CD from:
http://www.lionmusic.com/
: : Discography : :
Fifth Angel - 1986
Atlantis Rising - 1991
Octoglomerate - 1994
Son Of Man - 1995
The Apocalypse Chime - 1996
Crimes Of Virtuosity - 1998
Flying Beyond The 9 - 2001
Anthem - 2002
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