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: : Eyestrings - Burdened Hands : :

Band/Artist
Eyestrings
Title:
Burdened Hands
Released
2004
Label
Split Difference

: : Eyestrings - Burdened Hands : :

Track List
1. Recovery
2. Itchy Tickler
3. Dead Supermen
4. Anachronism
5. Funnel
6. Just A Body
7. Slackjaw
8. Nothing
9. Time Will Tell
10. Empty Box
: : The Players : :
Mathew Kennedy - bass, moog | Ryan Parmenter - voice, synth, mellotron sampler, trombone | Alan Rutter - supporting voice, guitars | Bob Young - drums, percussion
WUTHERING HIGHTS






 

: : Burdened Hands : :

Detroit rock city? Fuckin’ A!

Finally I can agree with those buffoons in black and white make-up (and for any Kiss fans out there, that’s not who I meant, but if the high-heeled boot fits, then by all fucking means wear it!). 

It is a rare treat to be asked to review an album such as this one. For starters, it has such a wealth of great songs, arrangements and lyrics that each new listen reveals more. Second, this is really a very unique album in the mis-nomered world of so called “progressive music”. After all, there are moogs and mellotrons to keep the vintage-heads and retro junkies happy, but they are just a means to an end rather than the clichéd end itself. And then there’s the issue of pedigree. After all, Burdened Hands comes from the pen of a man called Parmenter, though not the demented mastermind at the helm of the amazing DISCIPLINE. Nope, this is the handiwork of his nephew, the talented, younger and very agreeable Ryan Parmenter, who insists he had no part in the events discussed in the “Nursery years”, but I remain somewhat skeptical.

In any case, Ryan Parmenter has surrounded himself with a great band, consisting of Alan Rutter on guitar and backing vox, Bob Young on drums and Mathew Kennedy of Discipline on bass, and they have really crafted a very cohesive, unique collection of songs. The band has many influences, and you can certainly hear those strange Parmenter genes at work here, but if this debut is anything, it is a clear indication that Ryan has developed his own voice and compositional color.

It’s hard for me to choose any standout tracks, but certainly “Dead Supermen”, “Anachronism”, “Funnel” and the amazing closer “Empty Box” are great examples of Eyestrings at their most moving, rocking, dizzying and stunning, respectively.

Like serious music, layered and complex, but always rocking with a dark sense of humor?

Eyestrings

How about strong lyrics that are equally apt at stabbing the author as they are at flailing the poor bastards and misanthropes at the business end of his pen?

Try this on for size:

“But you are static

You are self-contained

On automatic pilot you remain

A lonely attic prisoner detained

A poor, pathetic life’s refrain

Time drains with the spinning clocks

And I, like it, am empty box”

Still doubtful? Good. Never trust a goddamn reviewer, especially when the review is written by someone who agrees with Enrnest Hemmingway, who said “Critics are those who watch a battle from the safety of higher ground, and only descend when the fighting is over to shoot the survivors”.

So yeah, fuck the critics. Why not surf over to their website and download some samples, or better still, buy their album and a ticket to see these guys perform at ROSFest 2005. Because just like any band that’s actually worth a damn, these guys are even better and ballsier on stage than in the studio.

Eyestrings are great, and they sound like no other band out there. Need I say more?

9.5 out of 10 stars.
Reviewer: Luis Nasser
Luis Nasser

: : Visit the Artist’s Website : :
Eyestrings


: : Discography : :
Burdened hands - 2003

WUTHERING HIGHTS






 

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