Advertise with us 
Order the new Progressive Rock For You Vol.1 CD Buy it here

 

 


 
:: Features ::
  Home
  News
  CD Reviews 08
  Interviews
 
New Release
  Special Feature
  Mp3's
  Concerts
  Gallery
   
  :: Resources ::
 
Best Links
 
Band Links
  Festivals
  Magazines 
  On Line Stores
  Record Labels


This web site is designed and maintained by
G.Roldan
Webmaster
reviewer
  



Click here to buy
this album





Best viewed at
 800 x 600
with Microsoft
Internet Explorer 7.0/Netscape


Click here
to donate  Prog4you.com







































































 

: : McGill/Manring/Stevens - What we do : :

Band/artist: McGill/Manring/Stevens
Title: What We Do
Released: 2006
Label:
Free Electric Sound

What We Do

Track listing:
1. Cherokee (Noble)
2. Footprints (Shorter)
3. Blue In Green (Evans)
4. Solar (Davis)
5. Gloria's Step (LaFaro)
6. Icarus (Towner)
7. Naima (Coltrane)
8. Invitation (Kaper/Washington)
9. Nefertiti (Davis)
10. Bessie's Blues (Coltrane)
11. Maiden Voyage (Hancock)
12. Oleo (Rollins)
Bonus disc:
What We Do Too
1. Conflict Resolution
2. The Ripe One
3. Pools
4. Improv 1
5. The Voyage of St. Brendan
6. Improv 2 / Drum Solo / In-A-Gadda-DaVinci
7. Bad Hair Day
8. Addition By Subtraction


 
: : The Players : :
Scott McGill (Electric and Acoustic Guitars, Fretless Guitar) - Michael Manring (Fretless Electric and Acoustic Basses) - Vic Stevens (Drums and Percussion)
WUTHERING HIGHTS

: : What we do : :

McGill/Manring/Stevens (MMS hereafter) released their first album as a group in 2001, and "What We Do" is their third release. All of them are accomplished musicians, and they all had musical careers before they formed this group, and are active in other projects besides playing in MMS.

MMS is in some ways a traditional power trio. In other words: Guitar, bass and drums are the only instruments utilized. What sets them apart from other power trios, is that these guys explore the musical landscapes of jazz and rock - what most of us would call fusion. Oh, and there's no vocals here, it's all instrumental. 

Jazz and fusion aficionados: To you I have one statement to make. Check out this album. It's well played and produced, and you should make up your mind on this release yourselves. You'll probably like it a lot better than me. 

For you other guys - read on. 

The CD sent for review here is a double CD. The first CD contains twelve songs, all of them known jazz songs that the band covers; or in jazz lingo: 12 standards. The second CD - a limited edition bonus CD - is a live performance from 2001, where the band perform their own material (hence the name of the disc: What We Do Too).  

The artists themselves describe their music as a blend of fusion and progressive rock. Personally I don't agree fully with that description; probably because I'm not a musician or a guy with a vast technical knowledge of music. I'm just a listener, and what I hear when listening to these guys is fusion, with an overweight of jazz in the musical expression. 

Personally I'm not to much into jazz or fusion. I like some jazz, and I like fusion the way guys like Meola played it in the late seventies; with lots of drive, big soundscapes and lots of mood. But I'm not too keen on free improvisation, and listening to repetitions of themes with degress of variations isn't quite my kink either. However good the performance may be from a technical point of view, I tend to be bored by it. Listening to the fourth variation of a theme in 90 seconds doesn't give me much, unless the variation explores vastly different soundscapes than the the first one played.

MMS is in some ways representative of the above mentioned factors. Variations on themes and free improvisation are quite describable for a lot of the music that's on show on this release. 

On the main CD here, the musical expression is very jazzy. Quite natural, since it is jazz songs that are covered. In most of the songs, it's the rhythm section that makes you nod your head and think "Yeah, this is jazz". What makes this fusion and not jazz are mainly three elements: Although jazzy, the drums are played much more energetic than what's usual in jazz. The pattern is alike, but it's more lively; energetic instead of laid back. The bass guitar wanders all over the place, and in many tunes is the main instrument in parts of the songs, supported by the guitar. The sound of the bass makes you think jazz, bit it is - in my mind at least - at times given a much more central place in the soundscape than what is traditional in jazz. And of course there's the guitar. 

McGill's guitar playing is what makes the label fusion really stick here. He varies a lot in expression, both in the individual songs themselves as well as on the album as a whole. Some guitar playing sounds "typical jazz", at times there's a Hendrix/Trower sound to the guitar, and in some parts you can hear what sounds like a metal influence as well. 

Personal highlights from the main CD: "Icarus"; due to the guitar sound. "Nefertiti"; due to the "dirty" sounding guitar solos and the guitar sound overall. "Maiden Voyage"; because of the more rock/bluesrock approach MMS has on this tune. 

The bonus CD "What We Do Too" is clearly more rock-oriented than the main disc. There's also more improvisation here, as is natural in a live performance. 

Personal highlights: "Bad Hair Day", a circulating bass and driving, catchy guitar playing makes this my over all favorite track on this release. A really good song. "Addition By Subtraction", a catchy tune with a strong rock/bluesrock feel to it, broken up with interludes of more jazz sounding playing. 

Rating: 6 (out of 10)
Reviewer: Olav Björnsen


: : Visit the Artist’s Website : :
McGill/Manring/Stevens

: : Discography : :
What We Do (2006)
Controlled By Radar (2002)
Addition By Subtraction (2001)

WUTHERING HIGHTS

Prog4you.com


 

                                                    
                                  :: Site Info ::
                              Affiliation  -  Contact - Feedback - Prog4you.com Staff